Jacob Do ‘First Chorus’ Album Release Tour!

Friday, November 13: L’Entracte Jazz Club – Montreal, QC
Saturday, November 14: The Emmet Ray – Toronto, ON
Thursday, November 19: The Yardbird Suite – Edmonton, AB
Friday, November 20: A Special House Concert at the Home of Scott Morin
Sunday, November 29: Frankie’s Jazz Club – Vancouver, BC

First Chorus is Edmonton-based tenor saxophonist Jacob Do’s debut full-length album. Following his well-received EP Maybe, Live at the Yardbird Suite, this release is the culmination of a deep study of the bebop language, combined with the sound and perspective of a contemporary Canadian musician. The album reunites fellow Montréal expats Donny Kennedy (alto saxophone), André White (piano), Paul Johnston (bass), and Dave Laing (drums). Order of Canada recipient and veteran alto saxophonist PJ Perry also appears as a special guest on Cole Porter’s All of You. Each member of the band has supported Do’s development in their own way, serving variously as mentors, close collaborators, and trusted friends throughout his young career.

Recorded in a single, continuous 9-hour session, First Chorus highlights spontaneity and in-the-moment creativity. Throughout the record, Do explores the balance between written composition and intuitive interaction, moving from hard-swinging original tunes to intimate interpretations of familiar standards. His compositional approach is rooted in the lexicon of great jazz composers — evident in his homages to Eddie Harris (Hairy Ed) and Lee Konitz (Time-Lee) — while concurrently complemented by a careful selection of lesser-known jazz standards, such as That’s Earl, Brother, and The Highest Mountain. As a saxophonist, Do’s approach is direct and deeply melodic, highlighting his attention to sound, phrasing, and rhythmic drive. Shades of the great past tenorists, such as Sonny Rollins and Lester Young, reveal themselves with confidence in his improvising.

The word “first” sustains many meanings in the context of jazz — first sets, first takes, first albums, first notes, first phrases, first choruses. In each of these contexts, a “first” offers a listener an initial glimpse of what is to come: a brief auditory invitation that shapes their expectations and invites them to decide where the music might take them. First Chorus serves not only as Do’s introduction through his debut full-length recording, but as an accessible example of how quickly jazz can evoke emotion and connection in any listener willing to approach the music with open ears.